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DTSTART;TZID=America/Chicago:20221118T000000
DTEND;TZID=America/Chicago:20230217T235959
DTSTAMP:20260525T124937
CREATED:20221118T172738Z
LAST-MODIFIED:20221118T172738Z
UID:4390-1668729600-1676678399@wkuvjp.com
SUMMARY:A Community Devoted: Leitchfield\, Grayson County
DESCRIPTION:The School of Media is proud to announce the opening of the latest exhibition A Community Devoted at the Gallery in Jody Richards Hall. \nThe storied Mountain Workshops\, run by the WKU Photojournalism program\, completed its 47th year of documenting communities across the Commonwealth this past October and the participants\, faculty and staff invite you to take a few moments of your time to explore the people and places that make up Grayson County. It is said\, everyone has a story to tell\, there are 47 of them waiting for you to see. \nJRH Gallery Through February 17 \n\nM-W: 9:00 am – 9:00 pm\nTH-F: 9:00 am – 5:00 pm\nGallery is closed when WKU is closed\nFree parking available in Chestnut St. lot at the end of Regents street after 4:00 pm\n\nA Community Devoted: Leitchfield\, Grayson County\nNestled between Rough River and Nolin lakes\, Grayson County is one of Kentucky’s overlooked gems. More than 24\,000 people call it home. Many have generations-old ties to Leitchfield and the farmland around communities such as Caneyville\, Clarkson\, Big Clifty and Short Creek. But newcomers are welcome\, too. Many have pulled off the Western Kentucky Parkway and never looked back. \nIn 2022\, during one week in October\, 53 visual journalists from across the country and around the globe traveled to this small town to document the people and places that make-up this rural community just north of Mammoth Cave National Park. A small army of editors\, producers and staff\, many connected with Western Kentucky University’s School of Media\, welcomed them and assisted in honing their craft. This gallery is a representation of the work produced during that week. \n 
URL:https://wkuvjp.com/event/a-community-devoted-leitchfield-grayson-county-2/
LOCATION:JRH Gallery
CATEGORIES:JRH Gallery
ORGANIZER;CN="Tim Broekema":MAILTO:tim.broekema@wku.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220912
DTEND;VALUE=DATE:20221105
DTSTAMP:20260525T124937
CREATED:20220909T190734Z
LAST-MODIFIED:20220909T190946Z
UID:4020-1662940800-1667606399@wkuvjp.com
SUMMARY:SLICES: A Look Back At The Way We Were
DESCRIPTION:From the archives of the Louisville Courier-Journal\, this collection of 57 images that span six decades\, document the seemingly mundane to significant events of our collective past. The Courier-Journal staff created a record of history that became immortalized in the power of photography. As time marches forward\, these images freeze a layer of humanity in the click of a shutter revealing to us how much we have changed\, and just perhaps\, how we have not. \nGALLERY HOURS: \nM-W: 9:00 am – 9:00 pm \nTH-F: 9:00 am – 4:00 pm \n  \nThe 57 images on display as well as many more can be seen in a book published by Press Syndication Group and can be purchased here. \n\nReaders of the Courier Journal picked up their newspapers on January 5\, 1896\, and found something they had never seen before. There\, splashed across the front of the third section of the newspapers\, were photographs – not the lithographs they had come to expect in their paper – honest-to-God\, half-tone photos of state-owned buildings around the commonwealth. \nThat was nine months before the New York Times began running photographs in the pages of its Sunday Magazine and years before either newspaper would put photos on their front pages. Before that\, newspapers generally used hand-engraved lithographic prints to illustrate their stories\, but the advent of the half-tone printing process\, for the first time\, began to bring the staid old publications with long columns of gray type to life. It was that page that ushered in a new era for the Courier Journal. \nThe story that accompanied the Courier Journal’s picture package that Sunday morning\, buried at the bottom of the page\, was almost certainly included as nothing more than a vehicle to show off the Courier Journal’s new technology – the process of using tiny dots to reproduce photos – that allowed it to bring stories to its readers like never before. The photos hinted at what the Courier Journal would become\, with its corps of photographers crisscrossing the state to bring the stories of Kentucky back to its readers in a way writers never could It started with static photos of buildings\, nature and mug shots of people that appeared in the third section of the paper – later called the “Half-tone Section” because of its heavy reliance on photos. \nAs the ability to print photographs faster and with better clarity advanced\, so did photography. In years that followed\, cameras went from using glass plates\, to George Eastman’s roll film that first allowed for photography without a tripod\, to finally in 1925\, the invention of the 35mm camera. The newspaper eventually introduced color photographs to its Sunday magazine and then in the early 1990s to the newspaper itself. \nIn the early years\, the newspaper’s photography staff wasn’t much to speak of. When reporter William Burke “Skeets” Miller won the Pulitzer Prize for reporting in 1925 after he crawled into Sand Cave in Southern Kentucky to interview trapped cave explorer Floyd Collins\,he – and not a photographer – was given a camera to take the photos inside the cave. Over the years\, though\, the newspaper developed a dedicated photo staff that served both the morning Courier Journal and its sister publication\, the afternoon Louisville Times. And with the evolution of cameras came the evolution of the Courier Journal’s great team of photographers. By the mid-1980s that staff had grown to more than 30 photographers\, editors and laboratory technicians who were largely based in Louisville but who traveled to all corners of the state and beyond at a moment’s notice to cover everything from political campaigns to mine disasters to floods to life. \nFor more than 30 years\, the staff was led by Billy Davis\, the longtime director of photography who was most known for his aerial photography – shot from a series of six airplanes that the Courier Journal owned between 1953 and the mid-1990s\, according to C. Thomas Hardin\, who succeeded Al Allen in leading the photo staff. \nIt was in 1953 that Davis\, an accomplished pilot who first photographed Louisville from the sky during the 1937 Ohio River flood when he was working for the Chattanooga News\, convinced Courier Journal President Barry Bingham Sr.\, Publisher Mark Ethridge and Vice President Lisle Baker that the photo staff needed an airplane to travel the state and get shots from high above. \n“We could get anywhere in the state in less than an hour and a half” former director of photography Hardin said. “It was our bureau in the sky” \nThrough the 1970s and 1980s\, the Courier Journal photography staff either won or helped win three Pulitzer Prizes for the newspaper. The first came in 1976 when it won the award for feature photography for its coverage of forced busing and the integration of Jefferson County’s public schools. The next came four years later when reporter Joel Brinkley and photographer Jay Mather teamed up to win the Pulitzer Prize for international reporting for their stories and images of the refugee crisis unfolding in Cambodia because of the brutal rule of the Khmer Rouge. \nAnd then in 1989\, the photography staff shared a Pulitzer Prize with the newspaper’s reporting and editing staffs for their coverage of the Carroll County bus crash. The accident\, among the worst in U.S. history\, killed 27 people and injured 34 others when drunken driver Larry Mahoney plowed his pickup truck into an old school bus owned by the Radcliff Assembly of God Church that was returning from a youth group trip to Kings Island amusement Park near Cincinnati. \nThe photographs they and other Courier Journal photographers shot over the years both lift your spirit and break your heart. They tell stories of life and death. They teach us about the famous and the unknown. The extraordinary and the mundane. Many are beautiful in their simplicity\, brilliant in their complexity\, and they’re all\, frankly\, just wonderful to look at. \nA book like this wouldn’t be complete without Stewart Bowman’s scene-setting photos of the Bluegrass region with the horses and barns and fences and all their iconic beauty. Nor would it seem right to publish this work without Davis aerial shot of the North Fork of the Kentucky River enveloping the city of Hazard and a smaller nearby community during the floods of 1963. \nThere are photos of young\, thin\, beautiful Elvis. And there’s an older\, jump-suit-wearing Elvis in his decline. Baryshnikov and Beach Boys. Mick Jagger and Elton John. And James Brown. Bill Monroe. Aretha \nThere is history – like Charles Lindbergh\, his darkened face visible in the cockpit of the Spirit of St. Louis parked on the tarmac at Louisville’s Bowman Field. And presidents from Franklin Roosevelt through Donald J. Trump. \nSome of the photos are shot in a brief window while others show the incredible access granted the photographers and the painstaking hours of sitting\, waiting\, for the perfect shot. The perfect moment. \nSadly\, many earlier photos you won’t see here were destroyed in the 1937 flood. Still many of the older negatives that survived the flood or were shot in the years shortly after are blistering and lost to time. But so many of the photos live on. And they tell stories. Our stories. The stories of our fathers and mothers. And their fathers and mothers. \nWhether it’s a car with its rear end hanging from a chain and a mechanic poised with a steam gun to clean it after a flood\, whether it’s people from a protestant church handling snakes in rural Kentucky or the body of a man who leaped to his death from a building in downtown Louisville\, the photos do the job that words alone can’t do. \nThere’s a soldier mourning over a flag-draped coffin in one photo and a soldier – pint of Seagram’s whisky in hand – laying a big celebratory smooch on a woman in another. \nSome of the most striking photos\, however\, are the ones that simply tell a story of everyday life\, ones that don’t focus on big\, important events or big\, important people. They are the ones that don’t complement a story but tell a story all their own. A master of that was Pam Spaulding\, who began photographing a young lawyer and his family for a newspaper project in 1977 and continues to photograph the family to this day. The images she made of the McGarvey family – including one with the mother lecturing one son and holding another while the family dog is on the exam table in the veterinarian’s office – could be a scene from any of our lives. \nIt was the result of painstaking work and hours upon hours of sitting and waiting\, and it’s a project like none other in the history of photojournalism \n“I used to tell photographers\, ‘Don’t go in and feel like you have to entertain. Go in\, be nice and be boring\,” Hardin said. \nBill Luster’s fabulous shot of grannies – both embarrassed and intrigued – at a Chippendales show at the Toy Tiger Lounge and Hardin’s photo of former Gov. A. B. “Happy” Chandler greeting a voter in the middle of a Western Kentucky street\, are both examples of photographers positioning themselves in the right place and waiting for the right time to press the shutter. Many of the photographers in these pages have gone on to work for publications known for their photographs\, like National Geographic and LIFE Magazine\, while others have spent their entire careers at the Courier Journal. And many of them continue to make incredible images that grace the pages of the Courier Journal today.
URL:https://wkuvjp.com/event/slices-a-look-back-at-the-way-we-were/
LOCATION:JRH Gallery
CATEGORIES:JRH Gallery
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220912T000000
DTEND;TZID=America/Chicago:20221104T235959
DTSTAMP:20260525T124937
CREATED:20220909T190734Z
LAST-MODIFIED:20220909T190734Z
UID:4387-1662940800-1667606399@wkuvjp.com
SUMMARY:SLICES: A Look Back At The Way We Were
DESCRIPTION:From the archives of the Louisville Courier-Journal\, this collection of 57 images that span six decades\, document the seemingly mundane to significant events of our collective past. The Courier-Journal staff created a record of history that became immortalized in the power of photography. As time marches forward\, these images freeze a layer of humanity in the click of a shutter revealing to us how much we have changed\, and just perhaps\, how we have not. \nGALLERY HOURS: \nM-W: 9:00 am – 9:00 pm \nTH-F: 9:00 am – 4:00 pm \n  \nThe 57 images on display as well as many more can be seen in a book published by Press Syndication Group and can be purchased here. \n\nReaders of the Courier Journal picked up their newspapers on January 5\, 1896\, and found something they had never seen before. There\, splashed across the front of the third section of the newspapers\, were photographs – not the lithographs they had come to expect in their paper – honest-to-God\, half-tone photos of state-owned buildings around the commonwealth. \nThat was nine months before the New York Times began running photographs in the pages of its Sunday Magazine and years before either newspaper would put photos on their front pages. Before that\, newspapers generally used hand-engraved lithographic prints to illustrate their stories\, but the advent of the half-tone printing process\, for the first time\, began to bring the staid old publications with long columns of gray type to life. It was that page that ushered in a new era for the Courier Journal. \nThe story that accompanied the Courier Journal\’s picture package that Sunday morning\, buried at the bottom of the page\, was almost certainly included as nothing more than a vehicle to show off the Courier Journal\’s new technology – the process of using tiny dots to reproduce photos – that allowed it to bring stories to its readers like never before. The photos hinted at what the Courier Journal would become\, with its corps of photographers crisscrossing the state to bring the stories of Kentucky back to its readers in a way writers never could It started with static photos of buildings\, nature and mug shots of people that appeared in the third section of the paper – later called the \”Half-tone Section\” because of its heavy reliance on photos. \nAs the ability to print photographs faster and with better clarity advanced\, so did photography. In years that followed\, cameras went from using glass plates\, to George Eastman\’s roll film that first allowed for photography without a tripod\, to finally in 1925\, the invention of the 35mm camera. The newspaper eventually introduced color photographs to its Sunday magazine and then in the early 1990s to the newspaper itself. \nIn the early years\, the newspaper\’s photography staff wasn\’t much to speak of. When reporter William Burke \”Skeets\” Miller won the Pulitzer Prize for reporting in 1925 after he crawled into Sand Cave in Southern Kentucky to interview trapped cave explorer Floyd Collins\,he – and not a photographer – was given a camera to take the photos inside the cave. Over the years\, though\, the newspaper developed a dedicated photo staff that served both the morning Courier Journal and its sister publication\, the afternoon Louisville Times. And with the evolution of cameras came the evolution of the Courier Journal\’s great team of photographers. By the mid-1980s that staff had grown to more than 30 photographers\, editors and laboratory technicians who were largely based in Louisville but who traveled to all corners of the state and beyond at a moment\’s notice to cover everything from political campaigns to mine disasters to floods to life. \nFor more than 30 years\, the staff was led by Billy Davis\, the longtime director of photography who was most known for his aerial photography – shot from a series of six airplanes that the Courier Journal owned between 1953 and the mid-1990s\, according to C. Thomas Hardin\, who succeeded Al Allen in leading the photo staff. \nIt was in 1953 that Davis\, an accomplished pilot who first photographed Louisville from the sky during the 1937 Ohio River flood when he was working for the Chattanooga News\, convinced Courier Journal President Barry Bingham Sr.\, Publisher Mark Ethridge and Vice President Lisle Baker that the photo staff needed an airplane to travel the state and get shots from high above. \n\”We could get anywhere in the state in less than an hour and a half\” former director of photography Hardin said. \”It was our bureau in the sky\” \nThrough the 1970s and 1980s\, the Courier Journal photography staff either won or helped win three Pulitzer Prizes for the newspaper. The first came in 1976 when it won the award for feature photography for its coverage of forced busing and the integration of Jefferson County\’s public schools. The next came four years later when reporter Joel Brinkley and photographer Jay Mather teamed up to win the Pulitzer Prize for international reporting for their stories and images of the refugee crisis unfolding in Cambodia because of the brutal rule of the Khmer Rouge. \nAnd then in 1989\, the photography staff shared a Pulitzer Prize with the newspaper\’s reporting and editing staffs for their coverage of the Carroll County bus crash. The accident\, among the worst in U.S. history\, killed 27 people and injured 34 others when drunken driver Larry Mahoney plowed his pickup truck into an old school bus owned by the Radcliff Assembly of God Church that was returning from a youth group trip to Kings Island amusement Park near Cincinnati. \nThe photographs they and other Courier Journal photographers shot over the years both lift your spirit and break your heart. They tell stories of life and death. They teach us about the famous and the unknown. The extraordinary and the mundane. Many are beautiful in their simplicity\, brilliant in their complexity\, and they\’re all\, frankly\, just wonderful to look at. \nA book like this wouldn\’t be complete without Stewart Bowman\’s scene-setting photos of the Bluegrass region with the horses and barns and fences and all their iconic beauty. Nor would it seem right to publish this work without Davis aerial shot of the North Fork of the Kentucky River enveloping the city of Hazard and a smaller nearby community during the floods of 1963. \nThere are photos of young\, thin\, beautiful Elvis. And there\’s an older\, jump-suit-wearing Elvis in his decline. Baryshnikov and Beach Boys. Mick Jagger and Elton John. And James Brown. Bill Monroe. Aretha \nThere is history – like Charles Lindbergh\, his darkened face visible in the cockpit of the Spirit of St. Louis parked on the tarmac at Louisville\’s Bowman Field. And presidents from Franklin Roosevelt through Donald J. Trump. \nSome of the photos are shot in a brief window while others show the incredible access granted the photographers and the painstaking hours of sitting\, waiting\, for the perfect shot. The perfect moment. \nSadly\, many earlier photos you won\’t see here were destroyed in the 1937 flood. Still many of the older negatives that survived the flood or were shot in the years shortly after are blistering and lost to time. But so many of the photos live on. And they tell stories. Our stories. The stories of our fathers and mothers. And their fathers and mothers. \nWhether it\’s a car with its rear end hanging from a chain and a mechanic poised with a steam gun to clean it after a flood\, whether it\’s people from a protestant church handling snakes in rural Kentucky or the body of a man who leaped to his death from a building in downtown Louisville\, the photos do the job that words alone can\’t do. \nThere\’s a soldier mourning over a flag-draped coffin in one photo and a soldier – pint of Seagram\’s whisky in hand – laying a big celebratory smooch on a woman in another. \nSome of the most striking photos\, however\, are the ones that simply tell a story of everyday life\, ones that don\’t focus on big\, important events or big\, important people. They are the ones that don\’t complement a story but tell a story all their own. A master of that was Pam Spaulding\, who began photographing a young lawyer and his family for a newspaper project in 1977 and continues to photograph the family to this day. The images she made of the McGarvey family – including one with the mother lecturing one son and holding another while the family dog is on the exam table in the veterinarian\’s office – could be a scene from any of our lives. \nIt was the result of painstaking work and hours upon hours of sitting and waiting\, and it\’s a project like none other in the history of photojournalism \n\”I used to tell photographers\, \’Don\’t go in and feel like you have to entertain. Go in\, be nice and be boring\,\” Hardin said. \nBill Luster\’s fabulous shot of grannies – both embarrassed and intrigued – at a Chippendales show at the Toy Tiger Lounge and Hardin\’s photo of former Gov. A. B. \”Happy\” Chandler greeting a voter in the middle of a Western Kentucky street\, are both examples of photographers positioning themselves in the right place and waiting for the right time to press the shutter. Many of the photographers in these pages have gone on to work for publications known for their photographs\, like National Geographic and LIFE Magazine\, while others have spent their entire careers at the Courier Journal. And many of them continue to make incredible images that grace the pages of the Courier Journal today.
URL:https://wkuvjp.com/event/slices-a-look-back-at-the-way-we-were-2/
LOCATION:JRH Gallery
CATEGORIES:JRH Gallery
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220215T170000
DTEND;TZID=America/Chicago:20220215T190000
DTSTAMP:20260525T124937
CREATED:20220208T170543Z
LAST-MODIFIED:20220208T170543Z
UID:3985-1644944400-1644951600@wkuvjp.com
SUMMARY:Women Photojournalists of Washington Reception and Lecture
DESCRIPTION:You are invited Tuesday\, February 15th for the opening reception and a SONY sponsored lecture with Stefani Reynolds at 5:00 PM JRH Gallery and auditorium. Reynolds is a photojournalist and documentary photographer based in Washington D.C. A graduate of Pratt Institute\, her work seeks to address prominent issues within the American landscape\, including poverty\, homelessness\, and gentrification. \nThe lecture will mark the opening of the Women Photojournalists of Washington (WPOW) 15th Annual Juried Exhibition\, which features standout photography and multimedia pieces by members of WPOW from the past year. Photography and videos related to the year’s events from 24 member photographers and videographers\, including Pro and Student Best in Show winners Sarah Silbiger and Yijo Shen\, are included. We hope to see you there! \n \nWHO? \nWomen Photojournalists of Washington exhibition opening with featured guest\, Stefani Reynolds \nWHEN? \nTuesday\, Feb 15 \n5:00 – gallery doors open \n5:30 – exhibition remarks \n6:00 – lecture/presentation in JRH auditorium \nWHERE? \nJody Richards Hall on the campus of WKU \n  \nFree and open to all\, light refreshments will be served courtesy of the School of Media. Contact Tim Broekema (tim.broekema@wku.edu) if you have any questions \n 
URL:https://wkuvjp.com/event/women-photojournalists-of-washington-reception-and-lecture/
LOCATION:JRH Gallery / Atrium and Auditorium\, 1665 Normal Drive\, Bowling Green\, KY\, 42101\, United States
CATEGORIES:Guest Lecture,JRH Gallery
ORGANIZER;CN="Tim Broekema":MAILTO:tim.broekema@wku.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220215T170000
DTEND;TZID=America/Chicago:20220215T190000
DTSTAMP:20260525T124937
CREATED:20220208T170543Z
LAST-MODIFIED:20220208T170543Z
UID:4385-1644944400-1644951600@wkuvjp.com
SUMMARY:Women Photojournalists of Washington Reception and Lecture
DESCRIPTION:You are invited Tuesday\, February 15th for the opening reception and a SONY sponsored lecture with Stefani Reynolds at 5:00 PM JRH Gallery and auditorium. Reynolds is a photojournalist and documentary photographer based in Washington D.C. A graduate of Pratt Institute\, her work seeks to address prominent issues within the American landscape\, including poverty\, homelessness\, and gentrification. \nThe lecture will mark the opening of the Women Photojournalists of Washington (WPOW) 15th Annual Juried Exhibition\, which features standout photography and multimedia pieces by members of WPOW from the past year. Photography and videos related to the year’s events from 24 member photographers and videographers\, including Pro and Student Best in Show winners Sarah Silbiger and Yijo Shen\, are included. We hope to see you there! \n \nWHO? \nWomen Photojournalists of Washington exhibition opening with featured guest\, Stefani Reynolds \nWHEN? \nTuesday\, Feb 15 \n5:00 – gallery doors open \n5:30 – exhibition remarks \n6:00 – lecture/presentation in JRH auditorium \nWHERE? \nJody Richards Hall on the campus of WKU \n  \nFree and open to all\, light refreshments will be served courtesy of the School of Media. Contact Tim Broekema (tim.broekema@wku.edu) if you have any questions \n 
URL:https://wkuvjp.com/event/women-photojournalists-of-washington-reception-and-lecture-2/
LOCATION:JRH Gallery / Atrium and Auditorium\, 1665 Normal Drive\, Bowling Green\, KY\, 42101\, United States
CATEGORIES:Guest Lecture,JRH Gallery
ORGANIZER;CN="Tim Broekema":MAILTO:tim.broekema@wku.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220117
DTEND;VALUE=DATE:20220205
DTSTAMP:20260525T124937
CREATED:20220120T181613Z
LAST-MODIFIED:20220120T182744Z
UID:3954-1642377600-1644019199@wkuvjp.com
SUMMARY:Reimagining Tradition: The return of Mountain Workshops
DESCRIPTION:  \nBegin your school year by planning a visit to an exhibition of unique and thought provoking photographs and video short stories that allow you to experience lives other than your own. \nFor the first time in its 45 year history\, Mountain Workshops was conducted both in person and virtually\, allowing for WKU Photojournalism students to participate with visual journalists from across the nation. During one week in October of 2021\, these visual journalists documented people from Bowling Green\, Oakland\, Cal.\, Louisville\, Ky.\, Washington\, D.C.\, and South Burlington\, Vt. Together the photographs and video short stories display a diverse range of people and the hardships and triumphs that they face. \nThe exhibition\, located on the campus of Western Kentucky University in Jody Richards Hall\, is open Monday – Friday 9:00 a.m. – 5:00 p.m. except for when the school is closed. \nThis exhibition is sponsored by The School of Media’s Photojournalism program and is free and open to the public.
URL:https://wkuvjp.com/event/reimagining-tradition-the-return-of-mountain-workshops/
LOCATION:JRH Gallery / Atrium and Auditorium\, 1665 Normal Drive\, Bowling Green\, KY\, 42101\, United States
CATEGORIES:JRH Gallery
ORGANIZER;CN="Tim Broekema":MAILTO:tim.broekema@wku.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220117T000000
DTEND;TZID=America/Chicago:20220204T235959
DTSTAMP:20260525T124937
CREATED:20220120T181613Z
LAST-MODIFIED:20220120T181613Z
UID:4383-1642377600-1644019199@wkuvjp.com
SUMMARY:Reimagining Tradition: The return of Mountain Workshops
DESCRIPTION:  \nBegin your school year by planning a visit to an exhibition of unique and thought provoking photographs and video short stories that allow you to experience lives other than your own. \nFor the first time in its 45 year history\, Mountain Workshops was conducted both in person and virtually\, allowing for WKU Photojournalism students to participate with visual journalists from across the nation. During one week in October of 2021\, these visual journalists documented people from Bowling Green\, Oakland\, Cal.\, Louisville\, Ky.\, Washington\, D.C.\, and South Burlington\, Vt. Together the photographs and video short stories display a diverse range of people and the hardships and triumphs that they face. \nThe exhibition\, located on the campus of Western Kentucky University in Jody Richards Hall\, is open Monday – Friday 9:00 a.m. – 5:00 p.m. except for when the school is closed. \nThis exhibition is sponsored by The School of Media’s Photojournalism program and is free and open to the public.
URL:https://wkuvjp.com/event/reimagining-tradition-the-return-of-mountain-workshops-2/
LOCATION:JRH Gallery / Atrium and Auditorium\, 1665 Normal Drive\, Bowling Green\, KY\, 42101\, United States
CATEGORIES:JRH Gallery
ORGANIZER;CN="Tim Broekema":MAILTO:tim.broekema@wku.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211012
DTEND;VALUE=DATE:20211112
DTSTAMP:20260525T124937
CREATED:20211012T152440Z
LAST-MODIFIED:20211028T144731Z
UID:3931-1633996800-1636675199@wkuvjp.com
SUMMARY:March to March: A Year of Unrest\, Uncertainty and Unknowns
DESCRIPTION:Gallery exhibition features 68 images and three short-form documentary films from 19 different WKUPJ alumni photojournalists who were assigned to capture our unprecedented times.\n  \nThe third month of the year 2020 brought great change to how our nation and our world would go about living daily life. A pandemic not seen on such a scale since 1918 touched every community\, shutting down businesses\, entertainment\, travel and choking our economy and health care system. And like many issues in this divided country\, it became political. Protests erupted over mask mandates\, political ideology and racism. A nation under siege became exhausted. \n  \nSpring turned to summer\, and summer to fall\, then fall to winter. Soon it was March again. A new year for hope\, but still communities struggled to understand and cope with the ripple effects of COVID-19. \n  \nOn the front lines of all the news was a group of dedicated photojournalists\, often risking their own health to tell the important stories. \n  \nMarch to March\, A Year of Unrest\, Uncertainty and Unknowns\, looks at the work of nineteen WKU photojournalism alumni and how their presence allows us to bear witness to history unraveling before our very eyes. Five decades of experience\, generations of graduates come together to tell the complete story of an extraordinary year. \n  \nThe exhibit is free and open to the public in the Jody Richards Hall Gallery and Atrium through November 11. Hours of the gallery are Monday through Wednesday 9:00 am to 9:00 pm and Thursday 9:00 am – 4:00 pm.
URL:https://wkuvjp.com/event/march-to-march-a-year-of-unrest-uncertainty-and-unknowns/
LOCATION:JRH Gallery / Atrium and Auditorium\, 1665 Normal Drive\, Bowling Green\, KY\, 42101\, United States
CATEGORIES:JRH Gallery
ORGANIZER;CN="Tim Broekema":MAILTO:tim.broekema@wku.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20211012T000000
DTEND;TZID=America/Chicago:20211111T235959
DTSTAMP:20260525T124937
CREATED:20211012T152440Z
LAST-MODIFIED:20211012T152440Z
UID:4382-1633996800-1636675199@wkuvjp.com
SUMMARY:March to March: A Year of Unrest\, Uncertainty and Unknowns
DESCRIPTION:Gallery exhibition features 68 images and three short-form documentary films from 19 different WKUPJ alumni photojournalists who were assigned to capture our unprecedented times.\n  \nThe third month of the year 2020 brought great change to how our nation and our world would go about living daily life. A pandemic not seen on such a scale since 1918 touched every community\, shutting down businesses\, entertainment\, travel and choking our economy and health care system. And like many issues in this divided country\, it became political. Protests erupted over mask mandates\, political ideology and racism. A nation under siege became exhausted. \n  \nSpring turned to summer\, and summer to fall\, then fall to winter. Soon it was March again. A new year for hope\, but still communities struggled to understand and cope with the ripple effects of COVID-19. \n  \nOn the front lines of all the news was a group of dedicated photojournalists\, often risking their own health to tell the important stories. \n  \nMarch to March\, A Year of Unrest\, Uncertainty and Unknowns\, looks at the work of nineteen WKU photojournalism alumni and how their presence allows us to bear witness to history unraveling before our very eyes. Five decades of experience\, generations of graduates come together to tell the complete story of an extraordinary year. \n  \nThe exhibit is free and open to the public in the Jody Richards Hall Gallery and Atrium through November 11. Hours of the gallery are Monday through Wednesday 9:00 am to 9:00 pm and Thursday 9:00 am – 4:00 pm.
URL:https://wkuvjp.com/event/march-to-march-a-year-of-unrest-uncertainty-and-unknowns-2/
LOCATION:JRH Gallery / Atrium and Auditorium\, 1665 Normal Drive\, Bowling Green\, KY\, 42101\, United States
CATEGORIES:JRH Gallery
ORGANIZER;CN="Tim Broekema":MAILTO:tim.broekema@wku.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20210910T120000
DTEND;TZID=America/Chicago:20210910T160000
DTSTAMP:20260525T124937
CREATED:20210907T222751Z
LAST-MODIFIED:20210907T223025Z
UID:3892-1631275200-1631289600@wkuvjp.com
SUMMARY:A City Searching for Hope 20th Anniversary Memorial Exhibition
DESCRIPTION:The 20th anniversary photo exhibit to feature WKU student and faculty work from September 11\, 2001 terrorist attack\nRidley and Hull Wealth Management Group of Stifel and the WKU School of Media to sponsor the exhibit at the Pushin Building in downtown Bowling Green\, Kentucky on Friday. The opening reception will be from noon to 4:00 pm with opening remarks at 1:00.\n  \nIt was September 11\, 2001. \nWithin a few hours after the World Trade Center towers fell and took a piece of America’s heart with them\, Western Kentucky University photojournalism students packed their cars with photography gear and headed north in search of answers. These students were not sure what they would find in New York\, they just knew they had to be there. By the week’s end\, two faculty had joined them. \nWhat they found was not just a story about smoldering buildings and twisted metal. They found stories about the people who worked in these buildings\, the rescuers trying to save them\, and the family and friends waiting to hear about the fate of their loved ones. By the following week\, the WKU team was back at school with thousands of photographs and one goal: to share their stories with as many people as they could. \nTwenty years later their images still resonate with us\, even haunt us. We are reminded of the profound emotional toll September 11\, 2001 had on our country. The images represent despair\, but also hope and resilience. \nOn September 10\, 2021\, Ridley and Hull Wealth Management Group of Stifel\, and The WKU School of Media will host an open house at the Pushin Building at 400 East Main Street\, Suite 100 in Bowling Green\, Kentucky\, from 12 to 4 p.m. Remarks will be at 1 p.m. The exhibit of 28 images will be open to the public from 10-4 p.m. on weekdays through the month of September. \nProfessor James Kenney\, coordinator of the Photojournalism program at WKU\, was one of the teachers who joined his students in New York in the aftermath of September 11. He expressed mixed emotions about his experience there and in seeing these images exhibited again 20 years later. \n“These images bring back unsettling memories of the pain\, suffering\, and uncertainty borne out of this terrible day. But they also represent the determination of my students to do their part in providing a visual reminder so that a nation would not forget\, and perhaps in some meaningful way contribute to its healing.” \nFor more information about the event or exhibit contact: \nTim Broekema\, Professor of Photojournalism \nWKU \n270-745-3005 \nOr \nBen Ridley \n270-792-7955
URL:https://wkuvjp.com/event/a-city-searching-for-hope-20th-anniversary-memorial-exhibit/
LOCATION:Pushin Building\, 400 East Main St. Suite 100\, Bowling Gren\, KY\, 42101\, United States
CATEGORIES:JRH Gallery
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20210910T120000
DTEND;TZID=America/Chicago:20210910T160000
DTSTAMP:20260525T124937
CREATED:20210907T222751Z
LAST-MODIFIED:20210907T222751Z
UID:4381-1631275200-1631289600@wkuvjp.com
SUMMARY:A City Searching for Hope 20th Anniversary Memorial Exhibition
DESCRIPTION:The 20th anniversary photo exhibit to feature WKU student and faculty work from September 11\, 2001 terrorist attack\nRidley and Hull Wealth Management Group of Stifel and the WKU School of Media to sponsor the exhibit at the Pushin Building in downtown Bowling Green\, Kentucky on Friday. The opening reception will be from noon to 4:00 pm with opening remarks at 1:00.\n  \nIt was September 11\, 2001. \nWithin a few hours after the World Trade Center towers fell and took a piece of America’s heart with them\, Western Kentucky University photojournalism students packed their cars with photography gear and headed north in search of answers. These students were not sure what they would find in New York\, they just knew they had to be there. By the week’s end\, two faculty had joined them. \nWhat they found was not just a story about smoldering buildings and twisted metal. They found stories about the people who worked in these buildings\, the rescuers trying to save them\, and the family and friends waiting to hear about the fate of their loved ones. By the following week\, the WKU team was back at school with thousands of photographs and one goal: to share their stories with as many people as they could. \nTwenty years later their images still resonate with us\, even haunt us. We are reminded of the profound emotional toll September 11\, 2001 had on our country. The images represent despair\, but also hope and resilience. \nOn September 10\, 2021\, Ridley and Hull Wealth Management Group of Stifel\, and The WKU School of Media will host an open house at the Pushin Building at 400 East Main Street\, Suite 100 in Bowling Green\, Kentucky\, from 12 to 4 p.m. Remarks will be at 1 p.m. The exhibit of 28 images will be open to the public from 10-4 p.m. on weekdays through the month of September. \nProfessor James Kenney\, coordinator of the Photojournalism program at WKU\, was one of the teachers who joined his students in New York in the aftermath of September 11. He expressed mixed emotions about his experience there and in seeing these images exhibited again 20 years later. \n“These images bring back unsettling memories of the pain\, suffering\, and uncertainty borne out of this terrible day. But they also represent the determination of my students to do their part in providing a visual reminder so that a nation would not forget\, and perhaps in some meaningful way contribute to its healing.” \nFor more information about the event or exhibit contact: \nTim Broekema\, Professor of Photojournalism \nWKU \n270-745-3005 \nOr \nBen Ridley \n270-792-7955
URL:https://wkuvjp.com/event/a-city-searching-for-hope-20th-anniversary-memorial-exhibit-2/
LOCATION:Pushin Building\, 400 East Main St. Suite 100\, Bowling Gren\, KY\, 42101\, United States
CATEGORIES:JRH Gallery
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200207T180000
DTEND;TZID=America/Chicago:20200207T190000
DTSTAMP:20260525T124937
CREATED:20200204T010256Z
LAST-MODIFIED:20200204T010256Z
UID:4379-1581098400-1581102000@wkuvjp.com
SUMMARY:Responding To Bosnia: An Exhibition By James Kenney And Yvonne Petkus
DESCRIPTION:OPENING RECEPTION and GALLERY TALK  \nFriday\, February 7\, at 6 p.m. \nGallery is open Tues – Fri 10:00 – 4:00\, Sat 12:00 – 4:00 \n  \nBaker Arboretum and Downing Museum \n4801 Morgantown Road \nBowling Green\, Kentucky 42101 \n  \nWestern Kentucky University and the Baker Arboretum and Downing Museum invite you to an exhibition of visual works by WKU faculty members Yvonne Petkus and James Kenney that opened January 28 and will be on display through April 4 at the Downing Museum. \nThe opening reception and gallery talk will be Friday\, February 7\, at 6 p.m.\, featuring foods unique to Bosnia and Herzegovina\, courtesy of WKU’s Office of Global Learning and International Affairs. \nEveryone in the university community and beyond is welcome. 
URL:https://wkuvjp.com/event/responding-to-bosnia-an-exhibition-by-james-kenney-and-yvonne-petkus-2/
LOCATION:Baker Arboretum and Downing Museum\, 4801 Morgantown Road\, Bowling Green\, KY\, 42101\, United States
CATEGORIES:JRH Gallery
ORGANIZER;CN="James Kenney":MAILTO:james.kenney@wku.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200207T180000
DTEND;TZID=America/Chicago:20200207T190000
DTSTAMP:20260525T124937
CREATED:20200204T010256Z
LAST-MODIFIED:20200204T010724Z
UID:3727-1581098400-1581102000@wkuvjp.com
SUMMARY:Responding To Bosnia: An Exhibition By James Kenney And Yvonne Petkus
DESCRIPTION:OPENING RECEPTION and GALLERY TALK  \nFriday\, February 7\, at 6 p.m. \nGallery is open Tues – Fri 10:00 – 4:00\, Sat 12:00 – 4:00 \n  \nBaker Arboretum and Downing Museum \n4801 Morgantown Road \nBowling Green\, Kentucky 42101 \n  \nWestern Kentucky University and the Baker Arboretum and Downing Museum invite you to an exhibition of visual works by WKU faculty members Yvonne Petkus and James Kenney that opened January 28 and will be on display through April 4 at the Downing Museum. \nThe opening reception and gallery talk will be Friday\, February 7\, at 6 p.m.\, featuring foods unique to Bosnia and Herzegovina\, courtesy of WKU’s Office of Global Learning and International Affairs. \nEveryone in the university community and beyond is welcome. 
URL:https://wkuvjp.com/event/responding-to-bosnia-an-exhibition-by-james-kenney-and-yvonne-petkus/
LOCATION:Baker Arboretum and Downing Museum\, 4801 Morgantown Road\, Bowling Green\, KY\, 42101\, United States
CATEGORIES:JRH Gallery
ORGANIZER;CN="James Kenney":MAILTO:james.kenney@wku.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190924T000000
DTEND;TZID=America/Chicago:20191122T235959
DTSTAMP:20260525T124937
CREATED:20190918T023241Z
LAST-MODIFIED:20190918T023241Z
UID:4376-1569283200-1574467199@wkuvjp.com
SUMMARY:Our World Burning Photo Exhibition
DESCRIPTION:As deadly wildfires globally increase in number and severity\, residents of fire-prone areas are finding themselves on the frontline of these historic and potential climate-changing events. This exhibition of over 50 images and a documentary film from recent California fire seasons\, come together in this body of work from ten critically-acclaimed photojournalists and explores the ramifications these fires can have and reveal the pain\, suffering and all-encompassing loss the victims endure.\n\n\n\nEXHIBITION\nThru November 22\nSchool of Media Gallery\n1665 Normal Street\, Bowling Green\, KY\nJody Richards Hall on the campus of WKU\n\n\n\n\n\nSchool of Media Gallery  Hours \nM-W 9am – 9pm \nTh–F 9am – 5pm \nSunday 3pm – 9pm \n\nFree parking after 4:30 M-F in the Chestnut St. Lot South / Closed Oct. 10\, 11 and 13 for fall break \n\n\n\n\n\n\nFEATURED PHOTOGRAPHERS\n\n\n\n\n  \n\n \nFreelance photographer Noah Berger has spent 24 years covering the San Francisco Bay Area for editorial\, corporate and government clients. He works for national and international news outlets including the Associated Press\, Reuters\, San Francisco Chronicle and LA Times. On the corporate side\, Noah covers transportation and infrastructure for government agencies and works often with health care organizations. A native of New York\, Noah lives in Alameda – an island across the bay from San Francisco – with his wife and 9-year-old son. \n\n\n  \n \n\nErin Brethauer is a documentary filmmaker and photographer based in San Francisco\, CA. \nErin worked at the San Francisco Chronicle from 2014-2016 where she and her partner (now husband) Tim Hussin co-directed the Emmy Award winning documentary\, Last Men Standing. The film\, about longterm AIDS survivors\, was the newspaper\’s first feature-length documentary. During this time they also co-produced the Emmy Award winning video column\, The Regulars. \nBefore moving to the Bay Area\, Brethauer was a staff photographer and multimedia editor for seven years at the Asheville Citizen-Times in North Carolina. Both her film and still photography work has been recognized by the Pictures of the Year International\, Magenta Flash Forward\, American Photography and can be found in publications such as California Sunday Magazine and The New York Times. Her ongoing film collaboration with Hussin called This Land Films can be found at www.thislandfilms.com. \n  \n\n\n  \n \nRenée C. Byer is a catalyst for change. She is an award-winning documentary photojournalist and Emmy nominated multimedia field producer best known for her in-depth work focusing on the disadvantaged and those who otherwise would not be heard. Her ability to produce photographs with profound emotional resonance and sensitivity earned her the Pulitzer Prize for feature photography in 2007 and dozens of national and international honors\, including the World Understanding Award from Pictures of the Year International\, and Pulitzer Finalist in 2013. \nKnown for her ability to translate stark statistics into images that connect us to our humanity\, she has traveled throughout Africa\, Asia\, Europe\, North and South America\, covering some of the most important issues of our time. Byer’s stories have deepened our understanding of the environment\, climate change\, extreme poverty\, genetically modified food\, healthcare\, women at war\, domestic violence\, and the drought and economic crisis in California. \n\n\n\n\n\n\n\n \nPeter DaSilva is an independent photographer based in the San Francisco Bay Area. He has been photographing local and regional events\, along with prominent people throughout the West Coast for more than two decades. He has worked for the Associated Press\, as a staff photographer for the Oakland Tribune and the San Francisco Chronicle and currently shoots for the New York Times. Peter has been published in periodicals from around the world\, including the Los Angeles Times\, Business Week\, International Herald Tribune\, News Week\, the Chicago Tribune\, NYT Up Front\, Der Spiegel as well as the Washington Post. \n\n\n\n\n\n\n\n \nJosh Edelson is an internationally published freelance photojournalist and commercial photographer based in the San Francisco Bay Area. He is a curious adventure-seeker\, passionate about creating visually compelling stories and portraits and absolutely loves to travel. Edelson can be found covering major news stories with international appeal. Some of which include documenting the 2017 presidential election\, anti-police protests\, California wildfires\, various tech product launch events and others. He is contracted by various news companies like The Associated Press\, The Los Angeles Times\, AFP/Getty Images\, and others. \n\n\n\n\n\n\n\n \nTim Hussin is a freelance photographer and filmmaker based in the San Francisco Bay Area. His background in journalism has made me a versatile shooter\, and his work now ranges from editorial to commercial to documentary and experimental/personal projects. His strength is in finding compelling\, honest and moving stories and pairing them with authentic and visually sophisticated moments. \nTim left a staff photographer/filmmaker position in 2016 at the San Francisco Chronicle\, where h co-produced a weekly video column with Erin Brethauer\, called The Regulars\, and co-directed the Chronicle\’s first feature-length documentary film\, Last Men Standing\, about long-term HIV/AIDS survivors. Both films have toured festivals worldwide. \nHe has won awards in POYi and was a finalist for a National Magazine Award. He has worked with publications such as National Geographic Magazine\, California Sunday Magazine\, Pop Up Magazine\, The New York Times\, The Wall Street Journal\, NPR\,  The Guardian\, The Telegraph\, Le Monde\, Huck Magazine\, Oxford American\, Virginia Quarterly Review and Airbnb. \n\n\n\n\n\n\n\n \n\n\nRaised in Washington D.C.\, Gabrielle Lurie picked up a camera at 17-years-old. She learned photography the old- fashioned way and spent countless hours in the darkroom. Gabrielle moved to New York City to attend NYU where she studied art history and photography. In 2014 she moved to San Francisco to freelance for a variety of news outlets. Gabrielle was a student at the Missouri Photo Workshops\, the Mountain Workshops and the Eddie Adams Workshop. In 2016 Gabrielle joined the staff of The San Francisco Chronicle where she has been pursuing both stills and video. She is also the regional clip chair for the NPPA West region.\n\n\n\n\n\n\n\n \n\nJustin Sullivan is a staff photographer with Getty Images based in San Francisco\, California. His assignments have included a wide range of stories from national political campaigns and the California drought to natural disasters and international conflicts. Justin\’s award-winning work has appeared in magazines and newspapers around the world.  He is a three-time San Francisco Bay Area Press Photographer Of The Year. \n\n\n\n\n\n\n \nMason Trinca is a documentary and editorial photographer based in California. Mason\’s decision to be a photojournalist was strongly influenced by an appreciation for the power of even small images to impact the biggest environmental issues and to give voice to those who have none\, a remembrance to Mason’s sister with disabilities who was unable to speak. A University of Oregon graduate with a Bachelor of Science in both environmental studies and geology\, Mason continues to be inspired by nature and is passionate about camping\, biking and skiing. \n  \n\n\n\n\n\n\n \nMarcus Yam is a Los Angeles Times staff photographer living in the beautiful City of Angels. Born and raised in tropical heat of Kuala Lumpur\, Malaysia\, he is culturally and socially uninhibited\, guided and inspired by Robert Frost\’s poem\, \”The Road Not Taken.\” At a turning point\, he left a career in Aerospace Engineering to pursue a photographic life. \nHis approach is deeply rooted in curiosity and persistence. He is interested in the social issues and dichotomies that shape the human experience. Currently\, he\’s obsessed with covering wildfires across the Golden State as it enters its eighth of drought. \nIn 2017\, Marcus was named Picture of The Year International’s Newspaper Photographer Of The Year. In 2015\, Marcus was part of the breaking news team that covered tragic San Bernardino\, Calif. terrorist attacks in 2015\, that earned a Pulitzer Prize in Breaking News Reporting. In 2014\, he was also part of The Seattle Times team that covered the deadly landslide in Oso\, Washington that also earned a Pulitzer Prize in Breaking News Reporting.
URL:https://wkuvjp.com/event/our-world-burning-photo-exhibition-2/
LOCATION:JRH Gallery / Atrium and Auditorium\, 1665 Normal Drive\, Bowling Green\, KY\, 42101\, United States
CATEGORIES:JRH Gallery
ORGANIZER;CN="Tim Broekema":MAILTO:tim.broekema@wku.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190924
DTEND;VALUE=DATE:20191123
DTSTAMP:20260525T124937
CREATED:20190918T023241Z
LAST-MODIFIED:20190928T230150Z
UID:3656-1569283200-1574467199@wkuvjp.com
SUMMARY:Our World Burning Photo Exhibition
DESCRIPTION:The Thomas Fire burns in the Los Padres National Forest\, near Ojai\, Calif.\, on Dec. 8\, 2017. A group of closely knit photojournalists find safety in numbers as they work together to document some of California’s largest and most dangerous fires. Photo by Marcus Yam/Los Angeles Times\n\n\nAs deadly wildfires globally increase in number and severity\, residents of fire-prone areas are finding themselves on the frontline of these historic and potential climate-changing events. This exhibition of over 50 images and a documentary film from recent California fire seasons\, come together in this body of work from ten critically-acclaimed photojournalists and explores the ramifications these fires can have and reveal the pain\, suffering and all-encompassing loss the victims endure.\n\n\n\nEXHIBITION\nThru November 22\nSchool of Media Gallery\n1665 Normal Street\, Bowling Green\, KY\nJody Richards Hall on the campus of WKU\n\n\n\n\n\nSchool of Media Gallery  Hours \nM-W 9am – 9pm \nTh–F 9am – 5pm \nSunday 3pm – 9pm \n\nFree parking after 4:30 M-F in the Chestnut St. Lot South / Closed Oct. 10\, 11 and 13 for fall break \n\n\n\n\n\n\nFEATURED PHOTOGRAPHERS\n\n\n\nPhotographer Justin Sullivan is seen here seeking a low angle while covering the Camp Fire of 2018. “Being with a group that is well trained and understands how to navigate these dangerous fires is so important to me\,” Sullivan says. “Being in a car with someone when you’re driving down roads that have fire on both sides with trees and power lines falling all around is so much better than trying to navigate it on your own.” Photo by Noah Berger.\n  \n\n \nFreelance photographer Noah Berger has spent 24 years covering the San Francisco Bay Area for editorial\, corporate and government clients. He works for national and international news outlets including the Associated Press\, Reuters\, San Francisco Chronicle and LA Times. On the corporate side\, Noah covers transportation and infrastructure for government agencies and works often with health care organizations. A native of New York\, Noah lives in Alameda – an island across the bay from San Francisco – with his wife and 9-year-old son. \n\n\n  \n \n\nErin Brethauer is a documentary filmmaker and photographer based in San Francisco\, CA. \nErin worked at the San Francisco Chronicle from 2014-2016 where she and her partner (now husband) Tim Hussin co-directed the Emmy Award winning documentary\, Last Men Standing. The film\, about longterm AIDS survivors\, was the newspaper’s first feature-length documentary. During this time they also co-produced the Emmy Award winning video column\, The Regulars. \nBefore moving to the Bay Area\, Brethauer was a staff photographer and multimedia editor for seven years at the Asheville Citizen-Times in North Carolina. Both her film and still photography work has been recognized by the Pictures of the Year International\, Magenta Flash Forward\, American Photography and can be found in publications such as California Sunday Magazine and The New York Times. Her ongoing film collaboration with Hussin called This Land Films can be found at www.thislandfilms.com. \n  \n\n\n  \n \nRenée C. Byer is a catalyst for change. She is an award-winning documentary photojournalist and Emmy nominated multimedia field producer best known for her in-depth work focusing on the disadvantaged and those who otherwise would not be heard. Her ability to produce photographs with profound emotional resonance and sensitivity earned her the Pulitzer Prize for feature photography in 2007 and dozens of national and international honors\, including the World Understanding Award from Pictures of the Year International\, and Pulitzer Finalist in 2013. \nKnown for her ability to translate stark statistics into images that connect us to our humanity\, she has traveled throughout Africa\, Asia\, Europe\, North and South America\, covering some of the most important issues of our time. Byer’s stories have deepened our understanding of the environment\, climate change\, extreme poverty\, genetically modified food\, healthcare\, women at war\, domestic violence\, and the drought and economic crisis in California. \n\n\n\n\n\n\n\n \nPeter DaSilva is an independent photographer based in the San Francisco Bay Area. He has been photographing local and regional events\, along with prominent people throughout the West Coast for more than two decades. He has worked for the Associated Press\, as a staff photographer for the Oakland Tribune and the San Francisco Chronicle and currently shoots for the New York Times. Peter has been published in periodicals from around the world\, including the Los Angeles Times\, Business Week\, International Herald Tribune\, News Week\, the Chicago Tribune\, NYT Up Front\, Der Spiegel as well as the Washington Post. \n\n\n\n\n\n\n\n \nJosh Edelson is an internationally published freelance photojournalist and commercial photographer based in the San Francisco Bay Area. He is a curious adventure-seeker\, passionate about creating visually compelling stories and portraits and absolutely loves to travel. Edelson can be found covering major news stories with international appeal. Some of which include documenting the 2017 presidential election\, anti-police protests\, California wildfires\, various tech product launch events and others. He is contracted by various news companies like The Associated Press\, The Los Angeles Times\, AFP/Getty Images\, and others. \n\n\n\n\n\n\n\n \nTim Hussin is a freelance photographer and filmmaker based in the San Francisco Bay Area. His background in journalism has made me a versatile shooter\, and his work now ranges from editorial to commercial to documentary and experimental/personal projects. His strength is in finding compelling\, honest and moving stories and pairing them with authentic and visually sophisticated moments. \nTim left a staff photographer/filmmaker position in 2016 at the San Francisco Chronicle\, where h co-produced a weekly video column with Erin Brethauer\, called The Regulars\, and co-directed the Chronicle’s first feature-length documentary film\, Last Men Standing\, about long-term HIV/AIDS survivors. Both films have toured festivals worldwide. \nHe has won awards in POYi and was a finalist for a National Magazine Award. He has worked with publications such as National Geographic Magazine\, California Sunday Magazine\, Pop Up Magazine\, The New York Times\, The Wall Street Journal\, NPR\,  The Guardian\, The Telegraph\, Le Monde\, Huck Magazine\, Oxford American\, Virginia Quarterly Review and Airbnb. \n\n\n\n\n\n\n\n \n\n\nRaised in Washington D.C.\, Gabrielle Lurie picked up a camera at 17-years-old. She learned photography the old- fashioned way and spent countless hours in the darkroom. Gabrielle moved to New York City to attend NYU where she studied art history and photography. In 2014 she moved to San Francisco to freelance for a variety of news outlets. Gabrielle was a student at the Missouri Photo Workshops\, the Mountain Workshops and the Eddie Adams Workshop. In 2016 Gabrielle joined the staff of The San Francisco Chronicle where she has been pursuing both stills and video. She is also the regional clip chair for the NPPA West region.\n\n\n\n\n\n\n\n \n\nJustin Sullivan is a staff photographer with Getty Images based in San Francisco\, California. His assignments have included a wide range of stories from national political campaigns and the California drought to natural disasters and international conflicts. Justin’s award-winning work has appeared in magazines and newspapers around the world.  He is a three-time San Francisco Bay Area Press Photographer Of The Year. \n\n\n\n\n\n\n \nMason Trinca is a documentary and editorial photographer based in California. Mason’s decision to be a photojournalist was strongly influenced by an appreciation for the power of even small images to impact the biggest environmental issues and to give voice to those who have none\, a remembrance to Mason’s sister with disabilities who was unable to speak. A University of Oregon graduate with a Bachelor of Science in both environmental studies and geology\, Mason continues to be inspired by nature and is passionate about camping\, biking and skiing. \n  \n\n\n\n\n\n\n \nMarcus Yam is a Los Angeles Times staff photographer living in the beautiful City of Angels. Born and raised in tropical heat of Kuala Lumpur\, Malaysia\, he is culturally and socially uninhibited\, guided and inspired by Robert Frost’s poem\, “The Road Not Taken.” At a turning point\, he left a career in Aerospace Engineering to pursue a photographic life. \nHis approach is deeply rooted in curiosity and persistence. He is interested in the social issues and dichotomies that shape the human experience. Currently\, he’s obsessed with covering wildfires across the Golden State as it enters its eighth of drought. \nIn 2017\, Marcus was named Picture of The Year International’s Newspaper Photographer Of The Year. In 2015\, Marcus was part of the breaking news team that covered tragic San Bernardino\, Calif. terrorist attacks in 2015\, that earned a Pulitzer Prize in Breaking News Reporting. In 2014\, he was also part of The Seattle Times team that covered the deadly landslide in Oso\, Washington that also earned a Pulitzer Prize in Breaking News Reporting.
URL:https://wkuvjp.com/event/our-world-burning-photo-exhibition/
LOCATION:JRH Gallery / Atrium and Auditorium\, 1665 Normal Drive\, Bowling Green\, KY\, 42101\, United States
CATEGORIES:JRH Gallery
ORGANIZER;CN="Tim Broekema":MAILTO:tim.broekema@wku.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190511T113000
DTEND;TZID=America/Chicago:20190511T123000
DTSTAMP:20260525T124937
CREATED:20190502T173641Z
LAST-MODIFIED:20190502T173641Z
UID:4375-1557574200-1557577800@wkuvjp.com
SUMMARY:SJ&B Senior Gallery Reception
DESCRIPTION:After the Potter College graduation ceremonies at Diddle Arena on May 11\, come join us in the SJB gallery at 11:30 AM for cookies\, brownies\, tea and lemonade and enjoy some celebration time with family and friends. There will be presentations on display featuring senior work from the Photojournalism\, Journalism\, Film and Broadcasting departments. The reception is free and open for all to enjoy. Hope to see you there and CONGRATULATIONS GRADUATES!
URL:https://wkuvjp.com/event/sjb-senior-gallery-reception-2/
LOCATION:JRH Gallery
CATEGORIES:JRH Gallery
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190511T113000
DTEND;TZID=America/Chicago:20190511T123000
DTSTAMP:20260525T124937
CREATED:20190502T173641Z
LAST-MODIFIED:20190502T173841Z
UID:3589-1557574200-1557577800@wkuvjp.com
SUMMARY:SJ&B Senior Gallery Reception
DESCRIPTION:After the Potter College graduation ceremonies at Diddle Arena on May 11\, come join us in the SJB gallery at 11:30 AM for cookies\, brownies\, tea and lemonade and enjoy some celebration time with family and friends. There will be presentations on display featuring senior work from the Photojournalism\, Journalism\, Film and Broadcasting departments. The reception is free and open for all to enjoy. Hope to see you there and CONGRATULATIONS GRADUATES!
URL:https://wkuvjp.com/event/sjb-senior-gallery-reception/
LOCATION:JRH Gallery
CATEGORIES:JRH Gallery
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190311T000000
DTEND;TZID=America/Chicago:20190503T235959
DTSTAMP:20260525T124937
CREATED:20190225T040728Z
LAST-MODIFIED:20190225T040728Z
UID:4371-1552262400-1556927999@wkuvjp.com
SUMMARY:Muhammad Ali: A Rare Glimpse Into the Life of The Champ
DESCRIPTION:  \nGallery Show highlights “The Greatest\,” Images of Muhammad Ali from Courier-Journal Photojournalists \n\nGALLERY HOURS\nMonday – Wednesday: 9:00 – 9:00\nThursday – Friday: 9:00 – 5:00\nSunday: 1:00 – 9:00\nJody Richards Hall\n1665 Normal Dr.\nWKU Campus\, Bowling Green\, KY\n  \nMore than a dozen staff photographers for the Courier Journal documented Muhammad Ali’s rise to fame and his later years fighting a different fight\, Parkinson’s Disease. Celebrated as one of the greatest boxers of all time\, Ali (born Cassius Clay)\, was also an activist and a philanthropist. But it was his heavyweight career that made him one of the most famous sports figures of the 20th century. Ali remains the only three-time champion of that division. \n  \nCassius Clay was born in Louisville in 1942\, and it would be his home for his entire life\, his funeral procession rivaled royalty. He was dedicated to Louisville and Louisville was dedicated to him. This gave the staff at the Courier Journal special access to the boxer during high times as well as later in life when his feeble body still resonated the spirit of The Greatest. Photojournalists like Bill Luster\, C. Thomas Hardin\, Larry Spitzer and Keith Williams were there to capture it all. \n  \n“No matter what stage he was on\, how big it was\, if there was someone from Louisville there\, he’d always recognize you\,” said former Courier Journal columnist Billy Reed. \n  \nOn March 11th Western Kentucky University and the School of Journalism & Broadcasting will open a tribute to the photographs and photographers of Muhammad Ali. Picture: Muhammad Ali\, a hard cover book will be celebrated in a 50-photo exhibit at Jody Richards Hall. \n  \nA reception at the JRH Gallery will open the exhibition at 4:30 pm CST\, and comments from PSG Book Publisher Warren Winter will commence at 5 pm. There will be a roundtable in the JRH Auditorium at 6 pm\, moderated by book editor Pat McDonogh featuring Courier Journal photojournalists Keith Williams\, C. Thomas Hardin\, Bill Luster and Sam Upshaw\, Jr. All will be available for a book signing of Picture: Muhammad Ali. A portion of the sales will go towards a scholarship fund for WKU Photojournalism students. \n  \nThe exhibition and roundtable are free and open to the public. Click here for more information about the book. \n  \nFor more information contact Tim Broekema at tim.broekema@wku.edu or call 270-745-3005.
URL:https://wkuvjp.com/event/ali-an-exhibition-2/
LOCATION:JRH Gallery / Atrium and Auditorium\, 1665 Normal Drive\, Bowling Green\, KY\, 42101\, United States
CATEGORIES:Guest Lecture,JRH Gallery
ORGANIZER;CN="Tim Broekema":MAILTO:tim.broekema@wku.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190311
DTEND;VALUE=DATE:20190504
DTSTAMP:20260525T124937
CREATED:20190225T040728Z
LAST-MODIFIED:20190423T204548Z
UID:3324-1552262400-1556927999@wkuvjp.com
SUMMARY:Muhammad Ali: A Rare Glimpse Into the Life of The Champ
DESCRIPTION:  \nGallery Show highlights “The Greatest\,” Images of Muhammad Ali from Courier-Journal Photojournalists \n\nGALLERY HOURS\nMonday – Wednesday: 9:00 – 9:00\nThursday – Friday: 9:00 – 5:00\nSunday: 1:00 – 9:00\nJody Richards Hall\n1665 Normal Dr.\nWKU Campus\, Bowling Green\, KY\n  \nMore than a dozen staff photographers for the Courier Journal documented Muhammad Ali’s rise to fame and his later years fighting a different fight\, Parkinson’s Disease. Celebrated as one of the greatest boxers of all time\, Ali (born Cassius Clay)\, was also an activist and a philanthropist. But it was his heavyweight career that made him one of the most famous sports figures of the 20th century. Ali remains the only three-time champion of that division. \n  \nCassius Clay was born in Louisville in 1942\, and it would be his home for his entire life\, his funeral procession rivaled royalty. He was dedicated to Louisville and Louisville was dedicated to him. This gave the staff at the Courier Journal special access to the boxer during high times as well as later in life when his feeble body still resonated the spirit of The Greatest. Photojournalists like Bill Luster\, C. Thomas Hardin\, Larry Spitzer and Keith Williams were there to capture it all. \n  \n“No matter what stage he was on\, how big it was\, if there was someone from Louisville there\, he’d always recognize you\,” said former Courier Journal columnist Billy Reed. \n  \nOn March 11th Western Kentucky University and the School of Journalism & Broadcasting will open a tribute to the photographs and photographers of Muhammad Ali. Picture: Muhammad Ali\, a hard cover book will be celebrated in a 50-photo exhibit at Jody Richards Hall. \n  \nA reception at the JRH Gallery will open the exhibition at 4:30 pm CST\, and comments from PSG Book Publisher Warren Winter will commence at 5 pm. There will be a roundtable in the JRH Auditorium at 6 pm\, moderated by book editor Pat McDonogh featuring Courier Journal photojournalists Keith Williams\, C. Thomas Hardin\, Bill Luster and Sam Upshaw\, Jr. All will be available for a book signing of Picture: Muhammad Ali. A portion of the sales will go towards a scholarship fund for WKU Photojournalism students. \n  \nThe exhibition and roundtable are free and open to the public. Click here for more information about the book. \n  \nFor more information contact Tim Broekema at tim.broekema@wku.edu or call 270-745-3005.
URL:https://wkuvjp.com/event/ali-an-exhibition/
LOCATION:JRH Gallery / Atrium and Auditorium\, 1665 Normal Drive\, Bowling Green\, KY\, 42101\, United States
CATEGORIES:Guest Lecture,JRH Gallery
ORGANIZER;CN="Tim Broekema":MAILTO:tim.broekema@wku.edu
END:VEVENT
END:VCALENDAR